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Today was a Good Day

27/2/2013

Yesterday was a disaster. I was painting outside and it was just above freezing with 40 Kph winds. Everything kept blowing around and I kept dropping brushes in the mud. I ended up with paint everywhere and didn't want to even think about oil painting ever again. I have never before felt miserable when I was painting.

Today was much better. As I progressed with this painting it became better and better as a painted portrait however I am losing the likeness and may go back at it a third time to try to get that back. It also looks a bit less alive but I think that I can fix that.

I received a bit of help from Geunnadi Kalinine in this painting too. He helped out more than a little and I am grateful for his instruction.

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Alex after two sessions

20/2/2013

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I still have a ways to go with this but it is getting closer. I now have oil paint on one of my ski gloves, seat belt, coat and jeans. I am having a blast but it sure is messy. I spend as much time cleaning up as painting but it is worth it.

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Copetown Marsh 11" X 14" Oil on canvas board

19/2/2013

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Today was my first time painting outdoors with oils. It was -2 C and alternating between snow and sleet and I was grinning from ear to ear the whole time. The winter marsh was alive with colour. The cool greys in the background, the yellows of the willows, the brilliant red of the dogwoods and here and there patches of glowing white snow.

I started out painting as I would with watercolours, and struggled a bit, but once I realized how easy it was to go back in and punch up the highlights or make a tree skinnier I started having a blast. This may not be a great painting but I am really excited about it. I was told twice today that I have found my medium. I am certainly enjoying working with it.

Oopsie! I had to do some repairs. It seems I thinned some of my paint too much and it all started to run down the canvas. It is now laying flat until it dries.

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Thinking of Bill 8" X 6" oil on canvas board

17/2/2013

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My brother-in-law is struggling with his health right now and we are all worried about him. I have always found painting good therapy so I headed to my studio. This is another small one and I find them more difficult to paint. I really struggled with this and I am not very happy with it but looking back I realized that the whole time that I was painting I was thinking of Bill in the hospital instead of on the golf course or in his boat fishing. If I was focused on all the great times we have had the painting probably would have come easier. It definitely needs less grey and more happy colour.

Keep fighting Bill.

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A Very Good Friend of Mine 11" X 14"

13/2/2013

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For years people have been telling me that oils are way easier than watercolours and until now I never believed them. They aren't exactly easier but they are much more forgiving. I always balked at oils because of the solvents and the messy job of cleaning brushes. I have discovered that vegetable oil and brush soap works fine for cleaning brushes and I thin my paint with walnut oil so no solvents are required.

This still needs a fair but of tweeking but it is were I managed to get to today.

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My First Ever Portrait in Oils 6" X 8"

12/2/2013

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I had a blast doing this. The colour is off a bit and I missed any likeness but as a first attempt at a portrait with oil paint I am quite pleased. The fact that I was working from a photo taken by Jack at an odd angle with my iPad didn't help me much.

I think that I am going to find oil painting much easier than watercolours but I have been wrong before. The only down side of oils is the cleanup afterwords and I am getting better at that so it isn't quite the chore that I thought that it was.

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Painting with a Master - Conclusion

6/2/2013

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This has been a lot of fun and a lot of learning too. As it turns out there is a much to be learned by attempting to copy a painting by a favourite artist and when that artist is Tom Thomson it is easy to learn because I can see all his brush strokes.

In the process of copying his painting I was constantly trying to analyze why he chose the colours he did and why he put strokes of paint where he did. I also became acutely aware of how he used his background colours to tint the snow which gave a sense of unity to the painting. My trees need to be less perfect lines and more broken up but hey I am proud of this anyway.

I love oil paint.

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Today was a Good Day

Alex after two sessions

Copetown Marsh 11" X 14" Oil on canvas board

Thinking of Bill 8" X 6" oil on canvas board

A Very Good Friend of Mine 11" X 14"

My First Ever Portrait in Oils 6" X 8"

Painting with a Master - Conclusion

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